The High Performance Design of Hypnartic Artwork Kinetic Wind Sculptures Equal The Lamborghini Tradition
When Mother Nature is the strongest competitor of concern for your product – virtually zero room for design error exists. Direct exposure to weather’s instability and turbulence presents an unnerving wildcard that can only be unrivaled by meticulous and precise product engineering.
This is just one reason why Hypnartic Artwork utilizes masterfully designed moving parts of high quality within each of its four all season, high-performance kinetic wind sculptures cast from either copper or stainless steel. Upon harnessing the kinetic energy it captures from available natural breezes, each sculpture quietly and smoothly rotates 360 degrees while set upon ball bearings.
Hypnartic Artwork delivers a virtually flawless performance while withstanding and combating nature’s worst and best. Its portfolio of ultra-high performance designs are the result of its extensive, careful research and product development to achieve best-in-class, innovative, stable, artful and handsome kinetic wind sculptures.
Select from Solar Reflections cast from stainless steel and Concord Swan, Spinning Leaves and Wind Weaver cast from copper. Each design features meticulously engineered metalwork resulting in classic, clean lines with timeless flair inspired by the traditional craftsmanship that metal-smiths have historically forged in earlier times such as prior to and during the Industrial Revolution.
Standing between eight and twelve feet, each Hypnartic Artwork model secures to the earth with an easy to install anchoring system consisting of cast iron poles and bases featuring a protective marine powder coating to ensure longevity against exposure to harsh weather and other natural elements year-round.
A mere five product returns since the company’s inception in 2007 is perhaps the best testament to the high quality of its product line. Its high customer satisfaction rate underscores Hypnartic Artwork’s strong commitment to providing Estate Quality wind sculptures as an Affordable Alternative to Custom Crafted wind sculptures. Its high customer satisfaction rate underscores Hypnartic Artwork’s strong commitment to providing, Estate Quality wind sculptures as an Affordable Alternative to Custom Crafted wind sculptures.
The ultra high performance, precision engineering and master workmanship of the components of Hypnartic Artwork’s sculptures places a similar high propensity for innovation of its design team among that of other first-in-class product innovators such as Lamborghini, Ferrari and Tesla automobiles and Vacheron Constantin (1755), Audemars Piguet and Patek Phillippe watches.
Each sculpture seamlessly compliments, enhances and blends with virtually all outdoor settings. An ideal way to add decorative yet functional design to private suburban and city landscapes. The installed result offers a handsome element of creative expression when in motion and while at rest.
Additionally, the sculpture’s lively movement will infuse dimensional activity into an otherwise stagnant environment providing a versatile addition that easily enhances grassy as well as hardscape areas. Place either as a central focal point of a grassy area or off-center to accent a flora border, garden entrance, walkway or patio. No need to remove the sculpture during the winter as the presence of snowfall will not prohibit a sculpture’s ability to spin. Evenly distributed snow ensures optimum results.
As a creative way to share its product line with the public, Hypnartic Artwork recently embarked upon a road trip as part of its Wind Sculptures Across America Tour where it made stops in multiple scenic American destinations. To date, Hypnartic Artwork has traveled from its corporate offices in Jamestown, Rhode Island, to Sedona, Arizona and back after making stops in Santa Fe, NM, Evergreen, Denver and Vail, Colo., Kansas City and St. Louis, Mo., Cambridge, MA; and Kennubunkport, Maine.
The urban landscape of downtown Santa Fe, New Mexico received a new spin on its official nickname of The City Different during a temporary outdoor display of the copper Spinning Leaves and Solar Reflections wind sculptures by Hypnartic Artwork that were recently installed at Cathedral Park.
The cathedral itself is among the magnificent architectural landmarks, natural beauty and scenic landscapes of Santa Fe that provides creative inspiration to residents and visitors. Painter Edward Hopper based his“Saint Francis’ Tower, Santa Fe” upon his 1925 visit to the city.
Santa Fe’s population of over 69,000 consists of a large number of visual artists, musicians and writers. The city is a widely known cultural arts mecca filled with many music venues, art galleries and museums exhibiting historical, folk to contemporary works including former resident American painter Georgia O’Keefe who died in 1986.
Santa Fe translates to Holy Spirit in Spanish which is appropriately underscored by the Cathedral’s magnificent and noteworthy architectural design. Classified as the mother church of the Archdiocese of Santa Fe, Archbishop Jean Baptist Lamy built the limestone Cathedral between 1869 and 1886.
Santa Fe enjoys historical distinctions both within New Mexico itself as well as the overall United States. Founded in 1610, Santa Fe is considered as the oldest and fourth largest city in New Mexico which became the 47th state in 1912. As the oldest U.S. capital city, its elevation of 7,199 ft. above sea level marks the highest elevation of any capital city nationwide.
Additionally, Santa Fe has earned global recognition from the United Nations for its deep commitment to preserving, sustaining and promoting crafts, folk art and design. In 2005, Santa Fe was inaugurated into its competitive Creative Cities Network, a prestigious affiliation which squarely places Santa Fe’s cultural arts achievements upon a global stage. To date, membership to the UNESCO Creative Cities Network has been extended only to the U.S. cities of Iowa City, Iowa for Literature in 2008 and Paducah, Kentucky for Craft and Folk Art in 2013.
The Santa Fe stop was part of Hynartic Artwork’s recent road trip for its Wind Sculptures Across America Tour. It is among the multiple scenic American destinations that Hypnartic Artwork has visited during its ongoing Wind Sculpture Across America Tour .
In addition to the Spinning Leaves and Solar Reflections kinetic wind sculpture designs that Hypnartic Artwork showcased in Santa Fe, its collection includes Solar Reflections cast from stainless steel, Concord Swan and Wind Weaver cast from copper. Produced with materials of quality and crafted with precision, each Hypnartic Artwork kinetic wind sculpture features meticulous engineering and innovative design that enables quiet and smooth 360 degree rotation.
Old Man Winter’s bag of winter tricks can hardly prevent Hypnartic Artwork kinetic wind sculptures from bringing cheer and warmth to backyards all across America.
As folks try to find ways to beat the winter blues, Hypnartic Artwork wind sculptures eagerly embrace the opportunity of transforming arctic winds into an unexpected summer delight. From snow, sleet, wind and cold snaps to flurries, showers, blizzards and squalls; each Hypnartic Artwork sculpture is specifically engineered to physically withstand the abundance of weather shifts that a harsh winter can bestow upon their kinetic creations.
Now that the polar winter weather has descended upon the United States, adding a Hypnartic Artwork kinetic wind sculpture to your yard is a surefire way to capture and defy the season’s fickle freezes. The sculptures lively movement will infuse dimensional activity into an otherwise stagnant and bare winter backdrop.
Just as the famed Vail CO resort eagerly welcomes a thick blanket of snow, Hypnartic Artwork creators.ensured optimum results when their sculpture’s curved slopes embraced the white coatings of winter.
Each Hypnartic Artwork design effortlessly beautifies your outdoor personal space especially during winter hibernation until surroundings reawaken and return to their flourished phase. The graceful, continuous movement that each sculpture creates will enliven the winter scenery outside your window resulting in an ever-changing winter wonderland. The abundance of activity clearly confirms that Mother Nature never sleeps, and Hypnartic artwork will be hard at work positively assisting with all four of it's wonderful climatic shows. directly
Hypnartic Artwork indulged in a 7,220 ft. Rocky Mountain high during a temporary outdoor installation display of two of its four kinetic wind sculptures in Evergreen, Colorado as part of a recent road trip for its Wind Sculptures Across America Tour.
The single day exhibition featured both its stainless steel Solar Reflections and copper Spinning Leaves wind sculptures installed next to each other while located along a pathway adjacent to a gushing Evergreen Dam waterfall and an enormous statue of a horseback Indian in motion. The oversized work of art is based upon “The Mountain Man” original 1903 bronze sculpture by Frederic Remington, a renowned artist who specialized in depictions of the Old American West and invented cowboy sculpture.
During Hypnartic Artwork’s display, the duo designs continuously rotated in tandem while successfully capturing the energy of available natural and residual breezes from the nearby waterfall. Their flawless performance paid homage, as if on cue, to the meticulous engineering, innovative design and usage of quality materials of their maker.
Despite the steady rainfall and an overcast Evergreen sky that enveloped the two kinetic wind sculptures, their metal managed to brightly shine without interruption during the day-long appearance. Viewers experienced a consistent burst of vibrant copper from the intricately detailed veins of Spinning Leaves’ upper body and mirror-like reflections from the vivid stainless steel curvatures of Solar Reflections.
Breathtaking views of vast acreage dotted with active wildlife including elk and provided a magnificent outdoor setting from Hypnartic Artwork’s perch above Evergreen’s bustling art, culture and entertainment community and downtown retail district. Located 15 miles west of the state capital of Denver, Evergreen’s natural beauty embodies Hypnartic Artwork’s signature of merging natural elements with similarly natural environments.
Evergreen, Colorado is among the multiple scenic American destinations Hypnartic Artwork has visited during its ongoing Wind Sculpture Across America Tour which has traveled from its corporate offices in Jamestown, Rhode Island, to Sedona, Arizona, Santa Fe, New Mexico., Vail, Colorado., Kansas City and St. Louis, Mo.; and Kennubunkport, Maine, along with many other locations throughout the United States.
Set upon ball-bearings, each Hypnartic Artwork kinetic wind sculpture quietly and smoothly rotates 360 degrees upon harnessing breezes that come its way. The sculpture’s lively movement exudes a meditative sense that can quickly infuse activity and movement into otherwise stagnant environments. Additionally, Hypnartic Artwork’s designs feature a protective marine powder coating to ensure longevity against exposure to harsh seasonal weather and other natural elements year-round.
In addition to the two kinetic wind sculpture designs Hypnartic Artwork showcased in Evergreen, its collection includes Concord Swan and Wind Weaver cast from copper. Each offers a handsome element of creative expression when in motion and while at rest.
Standing between eight and twelve feet, each Hypnartic Artwork model secures to the earth with an easy to install anchoring system consisting of durable cast iron poles and bases also coated with protective marine powder.
Founded in 2007 in Rhode Island, Hypnartic Artwork offers all-season, estate quality wind sculptures as an affordable alternative to custom crafted wind sculptures. Prices range from $595.00 to $795.00. You may order directly from this web site.
Adding a kinetic wind sculpture to the landscape of your personal outdoor space is a simple design solution that can immediately elevate and differentiate its style from that of another. Four eclectic artful yet functional designs from Hypnartic Artwork offer timeless flair that will easily compliment, enhance and blend with virtually all outdoor settings ranging from suburban yards to metropolitan rooftop gardens
Inspired by the traditional craftsmanship that metalsmiths have historically forged in earlier times such as prior to and during the Industrial Revolution, each Hypnartic Artwork sculpture offers meticulously engineered metalwork that infuses increased dimensional texture to natural surroundings and planned gardens. The classic, clean, signature design of each sculpture enables it to harmoniously co-exist with other exterior elements including entrance gates made from wrought iron, wood or other materials.
Standing between eight and twelve feet, each Hypnartic Artwork model secures to the earth with an easy to install anchoring system consisting of durable cast iron poles and bases featuring a protective marine powder coating to ensure longevity against exposure to harsh weather and other natural elements year-round. An ideal solution to ensure beautification for your outdoor personal space especially as natural elements start to hibernate from their lush, full bloom.
The installed result offers a handsome element of creative expression when in motion and while at rest. An Hypnartic Artwork sculpture makes a versatile addition that easily enhances grassy as well as hardscape areas. Place either as a central focal point of a grassy area or off-center to accent a flora border, garden entrance, walkway or patio.
Whether you are starting from scratch and embarking on an entirely new design or enhancing an existing layout, adding a Hypnartic Artwork kinetic wind sculpture is a smart choice that simplifies the often daunting and overwhelming task of planning and determining the specific elements to utilize within the landscape design of a personal outdoor space.
There is something so natural, so organic in the shape and design of a mobile. The balance and proportion, the delicate play of this original kinetic art has a certain timeless quality. That said, it’s hard to believe that this most natural of kinetic delights was first conceived by American sculpture Alexander Calder in the 1930’s. Born into a family of artists, his mother was a painter, both his grandfather and father were sculptors, Calder studied mechanical engineering at the Stevens Institute of Technology in Hoboken, NJ. After which he held several engineering jobs thereafter including working for a time on a passenger ship that sailed between New York and San Francisco, before retreating to the woods of Aberdeen, Washington where he worked as a time keeper at a logging camp. Loving the nature but dissatisfied with the work, Calder returned to New York City to pursue a career in the family vocation, art.
In 1926 Calder moved to Paris where he met fellow artist and lifelong friend Joan Miró, as well as other avant-garde artists including Marcel Duchamp and Jean Arp. His earliest creations were toys made of wood and wire. Known as Cirque Calder, his first major work won him praise from his fellow artists as well as the general public who flocked to see this miniature circus. Calder designed it to fit conveniently in a suitcase. The simple construction of Cirque Calder held the seeds for his what was to be his greatest innovation. He started by working on a kind of sculpture that would be motor driven. It was these initial
works of moving leaves, birds and fish that Marcel Duchamp famously named “mobiles.” It was the
work of Dutch painter Piet Mondrian, and his good friend Miró that led him to embrace the sensibilities of abstract art, thus abandoning both the images from nature and the motor. All this, combined with his engineering background allowed him to break free from the static art of the past.
While Calder went on to create large, even monumental sculptures (the ones that don’t move are known as stabiles) as well as painting and jewelry, this prolific artist is best known for his mobiles.
Fall has arrived and for many of us that means that cooler winds are blowing the wind sculptures in our backyards. For those of us living in New England who are just coming off a cooler than average summer, and still have last years brutal winter fresh in our minds, the big question is just what kind of winter can we expect?
I recently overheard a conversation at a local coffee shop. The subject was, what else, the weather.
“Well you know what they say. A cool summer usually precedes a very cold winter.”
“Who exactly is they,” their friend asked.
“I’m not really sure, the Old Farmer’s Almanac, maybe?”
That’s when I thought I’d see what the revered “Old Farmer” had to say when it comes to what we might all expect this winter. But first, did you know that the Old Farmer’s Almanac is the oldest continuously published periodical in the US? Originally known as The Farmer’s Almanac, It was first published in 1792. According to wikipedia, the founder of the Almanac Robert B. That’s when I thought I’d see what the revered “Old Farmer” had to say when it comes to what we might all expect this winter. But first, did you know that the Old Farmer’s Almanac is the oldest continuously published periodical in the US? Originally known as The Farmer’s Almanac, It was first published in 1792. According to wikipedia, the
founder of the Almanac Robert B. Thomas “studied solar activity, astronomy cycles and weather patterns and used his research to develop a secret forecasting formula, which is still in use today.” Thomas “studied solar activity, astronomy cycles and weather patterns and used his research to develop a secret forecasting formula, which is still in use today.”
A quick trip to the Old Farmer’s Almanac website confirmed what I’d overheard to be true. “Brrrrrr!” OFA was predicting a “bitter cold” winter with “heavy” snow for New England. The Forecast Here’s what the OFA’s is saying for winter 2014 - 2015 for the rest of the nation.
Regarding Temperature, the word is that three quarters of the nation should expect colder than normal temps with the Great Lakes and the Northern Plains experiencing the coldest conditions in late January into early February. Temps in these places could go as low as minus 40. Both coasts are expected to be only slightly more temperate, meaning near normal conditions.
As for precipitation, the Pacific Northwest, some of the Southwestern states and the Northern Plains can expect near normal amounts of precipitation. While the upper mid-west and the Great Lakes Region are likely to experience below normal precipitation - most likely due in part to that extreme cold. The central and southern plains should see above normal amounts of precipitation. The OFA tells us that ten days in January along with the first week of February have been “red flagged” for the Atlantic seaboard to experience harsh winter weather. This means heavy snow and strong winds. Another “red flag” has been
planted on mid-March for the nation’s midsection and the east coast to experience more “wintery”
One open question is the return of El Nino, This phenomenon is caused by the warm Pacific air currents. An El Nino could provide great relief to drought ravaged California and other Southern States. It could even mean slightly warmer temperatures resulting in more rain, less snow and cold to the north and east. The El Nino effect is strongest from December to April. Guess we’ll just have to wait and see.
A couple more fun facts about the OFA.
• The Farmers Almanac became the Old Farmers Almanac in 1832, when Robert B. Thomas, who served as it’s first editor for fifty years, added “Old” to the name to celebrate the fact his publication had beat out all other competitors.
• Ever wonder why there’s a whole in upper left hand corner of every copy of the OFA? Thomas decided to drill a hole in the corner of each copy to make it easier for the user to hang it on a nail or thread a string through it.
• While the OFA has been published steadily from it’s birthplace in Dublin, NH from it’s beginning there was nearly an unexpected hiatus during World War II. Apparently a German spy who had been arrested in New York was found to have a copy of the OFA in his pocket. According to the US Office of Censorship’s voluntary code of Wartime Practices, Weather was listed as one of several subjects which may be of value to the enemy. To ensure that their long history of publication went unbroken the OFA substituted weather indicators for their in-depth forecasts from 1943 through the end of the war in 1945.
The cool breezes that gently spin our “Spinning Leaves” is a mystery to most of us. The way our kinetic sculptures capture the wind is almost magical. Of course most of us have also seen the extraordinary power of the wind from a Hurricane, or the devastation caused by a Tornado. What causes the wind to blow?
First and foremost is the difference in air temperature. We all know heat rises. When the sun heats the earth it warms the air above it causing it to rise. Cool air replaces the rising hot air and we have wind. You can observe this in the ripples that form on a lake as the rising sunwarms the early morning air.
Looking at the wind on a global scale we see this hot air rising from the equator and moving north. As it cools it falls back to the earth’s surface. This atmospheric circulation pattern known as a Hadley Cell - low pressure and converging winds, plus something known as the Coriolis effect - produces what are known as tropical easterlies or “trade winds.”
The Coriolis effect - stay with me - is the deflection of winds moving along the surface of the Earth to the right of the direction of the earth’s rotation in the Northern hemisphere, and to the left of the Earth’s rotation in the Southern Hemisphere. This can be seen in those satellite pictures of a large cyclones where winds around the center will appear to move counter clockwise in the North, and clockwise in the south.
This combination of temperature and barometric pressure - air bumping into air and the earths surface - generates winds of different speeds. High barometric pressure produces calm weather, whereas low barometric pressure results in unsettled weather and higher wind speeds. So next time you’re enjoying the simple play of your Hypnartic Artworks wind sculpture, think of the complexity blowing in that wind.
Yes, it’s Autumn and nothings says fall like Mum’s. Chrysanthemums, that is. You needn’t look
far. With nearly 40 species and a wide range of shapes and colors, they are everywhere. These lively flowers originally from East Asia are a hardy happy sign that cooler weather doesn’t have to shorten the life of your garden. Gardeners will frequently tell you that if you want to make a big statement, there’s no better way than with mums.
While mums appear later in the year the best time to plant them is in the spring. You’ll find them available as annuals or perennials. Note that annual fall plantings leave the longevity of your blooms tentative at best. While spring planted annuals will guarantee you marvelous colors each fall. Another distinction to be aware of when it comes to mums is the difference between Florist mums and Hardy mums. Florist mums are a hybrid and are less likely to do well in the garden. Lastly, while mums flourish in a cooler weather, they still require a good six hours of sunlight each day.
Growing and Pinching Mums
Young spring mums will require some pinching to encourage branching and more blooms. Learn more about how to make the most of these fall favorites here.
We hear many words used to describe the experience of observing our Hypnartic Artwork sculptures. These “wind spinners” as some call them create or evoke a sense of calm, an almost meditative state. In this crazy busy world we find ourselves living in today, a state of calm repose, a retreat from the hustle and bustle of this digital age is not just a welcome treat, it is a necessity. ! Finding a peaceful moment to gather ones’ thoughts, reflect on the days events, even make important decisions, shouldn’t be a luxury even if it may feel like one. Maybe your favorite spot to meditate is your backyard in the twirling shade cast by “Spinning Leaves” or our “Wind Weaver?” Perhaps it’s in your cubical at lunchtime, or on the couch before dinner? The goal of meditation is to calm and refocus the mind.
Meditations on meditating
Depending on the type of practice you choose - five to ten minutes twice a day or up to 20 minutes in the early morning and again in the evening - meditation itself may seem like a luxury. After all, who can find forty extra minutes in the day to sit and, at least, appear to be doing nothing? Historically meditation has been associated with one of many religious faiths. In the East, meditation has historically been the pursuit of religious men, Buddhist Monks and Zen Masters. While in the west, at least up until the 20th century, it has been studied and it’s effectiveness debated by intellectuals and philosophers. The Eastern goal of spiritual growth, while still a vital part of the meditation practice for most Buddhists, Hindus, Taoist’s and others, has been supplanted in the West by the need for stress reduction and relaxation for those seeking peaceful repose through meditation. Over the last 60 years or so the teaching and practice of meditation has become truly secularized. What was at first a key to serenity espoused by certain academics and the “beats” in the 1950’s, became a path toward enlightenment popularized by the Beatles and adopted by the hippies in the 1960’s has become in the 21st century a way to de- stress, refocus and refresh for soccer moms and techies. Meditation, along with Yoga ,has broken free of its religious connotations to offer an ancient answer to a modern question. There are of course many ways to practice meditation. There is also no end to the number of books, videos, classes, retreats, workshops, websites and yoga studios where one can gain insight into the healing power of meditation. So where to start?
Two Kinds of Meditation
Two major types of secular mediation have surfaced in the public consciousness overthe past 60 years. Transcendental Mediation (TM) developed and propagated byMaharishi Mahesh Yogi and more recently Mindfulness Meditation a product of the “Mindfulness Movement” initiated by Jon Kabat-Zinn in the late 1970’s.
TM, a form of “mantra mediation” is one of the most widely practiced in the world, was introduced in India in the mid 1950’s by Maharishi Mahesh Yogi. Using simple instructional techniques, a person practicing TM is expected to meditate twice a day for 15 - 20 minutes each time. The practice is simple, and intended to tap into natural processes already available to the mind. Sitting comfortably with eyes closed the student uses a mantra - comprised of a single sanskrit word chosen for them by their teacher based on their vocation and temperament. The mantra serves as a sort of placeholder which surfaces in the mind along with other random thoughts that may occur during a meditation session. A great deal of scientific research has been done on TM that indicates a transformation of brain wave patterns during meditation. Such transformations appear to have benefits to mental health and even physical well being outside of the meditation session, provided TM is practiced regularly. Proponents of TM speak of a deep relaxation and an inner joy, as well as renewed vitality and creativity.
Mindfulness Meditation makes similar claims for it meditation practice. Made popular through the teachings of Jon Kabat-Zinn, a Professor of Medicine emeritus at the University of Massachusetts Medical School and a student of Buddhism. Kabat-Zinn adapted the Buddhist techniques and teachings on mindfulness and founded the Stress Reduction Clinic at the University of Massachusetts Medical School. His Stress Reduction and Relaxation Program incorporatted the practice of mediation into an overall way of being mindful. Mindfulness is the act of being truly present. Mindfulness Meditation helps in achieving this state by the simple practice of focusing on the breath. A student of Mindfulness Meditation would sit quietly with eyes closed, on a cushion on the floor or seated in a chair. Sessions are initially short (5 to 10 minutes) until the participant gains becomes more confident in their focus on the breath. Returning to the breath when the mind wanders is said to increase the power of concentration while at the same time relieving the mind of it’s tendency to focus on either the past or the future.
As in the case of TM, there is much ongoing research to see if the benefits of Mindfulness Meditation might be incorporated along with exercise and diet into a new health regimen for the 21st century.
So as you contemplate the shimmer of our “Solar Reflections,” it’s light moving always upward. Consider the power of meditation. It may a quiet answer to this increasingly noisy world.