Hypnartic Artwork indulged in a 7,220 ft. Rocky Mountain high during a temporary outdoor installation display of two of its four kinetic wind sculptures in Evergreen, Colorado as part of a recent road trip for its Wind Sculptures Across America Tour.
The single day exhibition featured both its stainless steel Solar Reflections and copper Spinning Leaves wind sculptures installed next to each other while located along a pathway adjacent to a gushing Evergreen Dam waterfall and an enormous statue of a horseback Indian in motion. The oversized work of art is based upon “The Mountain Man” original 1903 bronze sculpture by Frederic Remington, a renowned artist who specialized in depictions of the Old American West and invented cowboy sculpture.
During Hypnartic Artwork’s display, the duo designs continuously rotated in tandem while successfully capturing the energy of available natural and residual breezes from the nearby waterfall. Their flawless performance paid homage, as if on cue, to the meticulous engineering, innovative design and usage of quality materials of their maker.
Despite the steady rainfall and an overcast Evergreen sky that enveloped the two kinetic wind sculptures, their metal managed to brightly shine without interruption during the day-long appearance. Viewers experienced a consistent burst of vibrant copper from the intricately detailed veins of Spinning Leaves’ upper body and mirror-like reflections from the vivid stainless steel curvatures of Solar Reflections.
Breathtaking views of vast acreage dotted with active wildlife including elk and provided a magnificent outdoor setting from Hypnartic Artwork’s perch above Evergreen’s bustling art, culture and entertainment community and downtown retail district. Located 15 miles west of the state capital of Denver, Evergreen’s natural beauty embodies Hypnartic Artwork’s signature of merging natural elements with similarly natural environments.
Evergreen, Colorado is among the multiple scenic American destinations Hypnartic Artwork has visited during its ongoing Wind Sculpture Across America Tour which has traveled from its corporate offices in Jamestown, Rhode Island, to Sedona, Arizona, Santa Fe, New Mexico., Vail, Colorado., Kansas City and St. Louis, Mo.; and Kennubunkport, Maine, along with many other locations throughout the United States.
Set upon ball-bearings, each Hypnartic Artwork kinetic wind sculpture quietly and smoothly rotates 360 degrees upon harnessing breezes that come its way. The sculpture’s lively movement exudes a meditative sense that can quickly infuse activity and movement into otherwise stagnant environments. Additionally, Hypnartic Artwork’s designs feature a protective marine powder coating to ensure longevity against exposure to harsh seasonal weather and other natural elements year-round.
In addition to the two kinetic wind sculpture designs Hypnartic Artwork showcased in Evergreen, its collection includes Concord Swan and Wind Weaver cast from copper. Each offers a handsome element of creative expression when in motion and while at rest.
Standing between eight and twelve feet, each Hypnartic Artwork model secures to the earth with an easy to install anchoring system consisting of durable cast iron poles and bases also coated with protective marine powder.
Founded in 2007 in Rhode Island, Hypnartic Artwork offers all-season, estate quality wind sculptures as an affordable alternative to custom crafted wind sculptures. Prices range from $595.00 to $795.00. You may order directly from this web site.
We all know that one thing leads to another on the internet. It is after all the ultimate rabbit hole. Perhaps curiosity led you to google kinetic art, wind art or copper wind sculptures? Maybe you saw one of our videos on Youtube or perhaps you witnessed first hand the interleaving dance of one of our wind sculptures? How you got here is not important. But, If you’ve had a chance to look at our site and watch the video for “Spinning Leaves,” “Wind Weaver,” or any of our other art pieces we hope you know that high quality, machine crafted kinetic wind sculpture is available to you at a reasonable price.
What you may not know, is the history and background of kinetic art itself, or, what the difference is between kinetic art and sculpture? Who was it who thought to free art from the frame, to literally use the wind to breath life and beauty into an exotic but inanimate object?
Of course kinetic art itself is just one of many topics you’ll find covered here. Others, more close to home - no pun intended - will deal with landscaping, gardening, and backyard birds among other things. In other words the setting in which we place these sturdy yet ethereal moving sculptures.
Our goal is to inform and entertain, so we’ll link to stories and information that we hope will enhance your appreciation for our passion. We invite you to chime in. Your comments, pictures and video are welcome in our conversation.
Let’s start with a single question and a not so simple answer.
What is Kinetic Art?
Wikipedia tells us that “kinetic art is art from any medium that contains movement perceivable by the viewer or depends on motion for its effect. More specifically speaking, kinetic art is a term that today most often refers to three-dimensional sculptures and figures such as mobiles that move naturally or are machine operated. The moving parts are generally powered by wind, a motor, or the observer. Kinetic art encompasses a wide variety of overlapping techniques and styles.”
A technique called pointillism employed by Georges Seurat and others who painted with small distinct dots of pure color applied in patterns - resulted in works that literally vibrate on the canvas.
The cubism of Pablo Picasso and Georges Braque, which often incorporated collage to add dimension to the already multilayered paint, could be described as another attempt to free the art itself from the confines of the picture.
But it was a Russian born man of Jewish descent named Naum Gabo who would put the kineticin “Kinetic Art.“ Originally a medical student studying in Munich, Gabo transferred to engineering. At this same time he became interested in the abstract art of Wassily Kandinsky. He returned to Russia to teach and develop his theory of art. Dissatisfied with what Picasso and other were doing with Cubism - Gabo felt the work was neither free enough or abstract enough. He began to experiment with three enough. He began to experiment with three dimensional geometric shapes and what he ultimately came to call kinetic sculpture.