We all know that one thing leads to another on the internet. It is after all the ultimate rabbit hole. Perhaps curiosity led you to google kinetic art, wind art or copper wind sculptures? Maybe you saw one of our videos on Youtube or perhaps you witnessed first hand the interleaving dance of one of our wind sculptures? How you got here is not important. But, If you’ve had a chance to look at our site and watch the video for “Spinning Leaves,” “Wind Weaver,” or any of our other art pieces we hope you know that high quality, machine crafted kinetic wind sculpture is available to you at a reasonable price.
What you may not know, is the history and background of kinetic art itself, or, what the difference is between kinetic art and sculpture? Who was it who thought to free art from the frame, to literally use the wind to breath life and beauty into an exotic but inanimate object?
Of course kinetic art itself is just one of many topics you’ll find covered here. Others, more close to home - no pun intended - will deal with landscaping, gardening, and backyard birds among other things. In other words the setting in which we place these sturdy yet ethereal moving sculptures.
Our goal is to inform and entertain, so we’ll link to stories and information that we hope will enhance your appreciation for our passion. We invite you to chime in. Your comments, pictures and video are welcome in our conversation.
Let’s start with a single question and a not so simple answer.
What is Kinetic Art?
Wikipedia tells us that “kinetic art is art from any medium that contains movement perceivable by the viewer or depends on motion for its effect. More specifically speaking, kinetic art is a term that today most often refers to three-dimensional sculptures and figures such as mobiles that move naturally or are machine operated. The moving parts are generally powered by wind, a motor, or the observer. Kinetic art encompasses a wide variety of overlapping techniques and styles.”
A technique called pointillism employed by Georges Seurat and others who painted with small distinct dots of pure color applied in patterns - resulted in works that literally vibrate on the canvas.
The cubism of Pablo Picasso and Georges Braque, which often incorporated collage to add dimension to the already multilayered paint, could be described as another attempt to free the art itself from the confines of the picture.
But it was a Russian born man of Jewish descent named Naum Gabo who would put the kineticin “Kinetic Art.“ Originally a medical student studying in Munich, Gabo transferred to engineering. At this same time he became interested in the abstract art of Wassily Kandinsky. He returned to Russia to teach and develop his theory of art. Dissatisfied with what Picasso and other were doing with Cubism - Gabo felt the work was neither free enough or abstract enough. He began to experiment with three enough. He began to experiment with three dimensional geometric shapes and what he ultimately came to call kinetic sculpture.